Rob Mahan Books

Category: An Irish Miracle

  • Taking Feedback (Gracefully)

    I didn’t do a very good job taking feedback from my “alpha” beta reader* on the first draft of my first novel, An Irish Miracle. One could say my initial responses were a bit defensive, as most of them started with “Well, I did that because . . .” It soon became obvious taking that approach would eliminate the possibility of future feedback from any beta reader, and I desperately needed all the feedback I could get. I was setting out on the path from engineer to author quite alone.

    It took me several tries, but with some very helpful coaching, I started to catch on. My responses to feedback began sounding more like “That’s really interesting. Would you please tell me more about what you mean . . .” For the second draft, my circle of beta readers expanded to two. From that feedback, I learned the term “in media res” and rearranged the timeline of the entire story, which was a big improvement.

    For the third and fourth drafts, my circle of beta readers continued to expand and I worked at my new skill of taking feedback gracefully. I got volumes of excellent critical feedback that helped me to polish my novel. I also made some observations about taking feedback on my writing:

    • The most critical feedback, often the most difficult to hear or to read, was absolutely the most helpful. What doesn’t kill you makes you stronger, I guess.
    • The feedback varied considerably, depending on how beta readers experienced the story through their own filters and life experiences, giving some insight into how a broader audience might react to the story and to the characters.
    • It was ultimately up to me, as the author, to decide how to treat each item of feedback I received. Whatever the decision, always gracefully and with sincere appreciation for the gifts of time, thought and effort the feedback represented.
    • It paid dividends to seek out beta readers who were a lot smarter than me.

    *A beta reader reads a written work with an eye to improving story, characters, and general style before the work is published. Of course, my “alpha” beta reader is my lovely wife Linda, who is an avid reader in her own right and who is a lot smarter than me!

  • Set the Mood and “Write First”

    Write First

    Many athletes have pre-game rituals so why can’t authors have pre-writing session rituals, too? I certainly do.

    My first ritual (technically, it’s third if you count the first as coffee and the second as settling my four-legged writing companions into their beds . . . more on them in a future post) is to set the mood in my lonely writer’s garret with music. Not just any music, though. During the hundreds of writing sessions it took to create An Irish Miracle, I have listened to the same track . . . over and over again. I don’t want get distracted by catchy lyrics while I’m writing. I want the music to help me slip quietly and efficiently into the “writer’s dream” state of mind (more on the writer’s dream in a future post, too). Now my brain will forever associate “Insight & Intuition” from the Brainwave Suite with the stories in An Irish Miracle. (You can listen to a short sample of “Insight & Intuition” here.)

    My second official ritual is to “Write First”. It may not be true for everyone, but writing in the morning is definitely the most productive creative time for me. I’ve heard it said that no good writing has ever been done on a computer connected to the Internet. Having vast resources of background research material literally at my fingertips while I’m writing is invaluable, but if I don’t “Write First”, it’s too easy for one e-mail reply to lead to an interesting news article that leads to paying bills or an idea for a new blog post and my productive, creative morning has slipped by.

    So identify the rituals that work for you and stick to them . . . even if you have to resort to writing them down on a sticky note. You can always tape it to your monitor after the sticky wears off!

    (I’m planning a science fiction novel as a future project. I think I might listen to “A Storm is Coming” from “LOTR: The Return of the King” while I’m writing it.)

  • Simpler Times, Simpler Places

    My upcoming novel, An Irish Miracle, spans over a half a century and two countries. With all the strife in the real world today, the stories in it offer a respite, a brief glimpse of simpler times and simpler places.

    Born in 1945, life for twin boys on an Ohio family farm is filled with hard work. The growing seasons mean plowing, planting and worrying about the rain. Only after the day’s work is there time for pick-up games, pony rides, and swimming. When the harvest season begins, daylight is reserved for bringing in the crops and baling the neighbor’s hay for spending money. The first day of a new school year means the ground will soon be frozen solid.

    Their close-knit family is happy and secure, but with one ill-fated decision by their father, an old-school farmer and a war veteran, life for the boys begins to change. When the first Irish-Catholic president is assassinated, life for the whole family changes. After the arrival of two draft notices, the twin brothers set out on separate paths for the first time in their lives, one to the jungles of Vietnam and one to the quiet countryside of western Ireland.

    Were they really simpler times and simpler places? I think so, but perhaps you should decide for yourself.