Rob Mahan Books

Author: Rob Mahan

  • Set the Mood and “Write First”

    Write First

    Many athletes have pre-game rituals so why can’t authors have pre-writing session rituals, too? I certainly do.

    My first ritual (technically, it’s third if you count the first as coffee and the second as settling my four-legged writing companions into their beds . . . more on them in a future post) is to set the mood in my lonely writer’s garret with music. Not just any music, though. During the hundreds of writing sessions it took to create An Irish Miracle, I have listened to the same track . . . over and over again. I don’t want get distracted by catchy lyrics while I’m writing. I want the music to help me slip quietly and efficiently into the “writer’s dream” state of mind (more on the writer’s dream in a future post, too). Now my brain will forever associate “Insight & Intuition” from the Brainwave Suite with the stories in An Irish Miracle. (You can listen to a short sample of “Insight & Intuition” here.)

    My second official ritual is to “Write First”. It may not be true for everyone, but writing in the morning is definitely the most productive creative time for me. I’ve heard it said that no good writing has ever been done on a computer connected to the Internet. Having vast resources of background research material literally at my fingertips while I’m writing is invaluable, but if I don’t “Write First”, it’s too easy for one e-mail reply to lead to an interesting news article that leads to paying bills or an idea for a new blog post and my productive, creative morning has slipped by.

    So identify the rituals that work for you and stick to them . . . even if you have to resort to writing them down on a sticky note. You can always tape it to your monitor after the sticky wears off!

    (I’m planning a science fiction novel as a future project. I think I might listen to “A Storm is Coming” from “LOTR: The Return of the King” while I’m writing it.)

  • Simpler Times, Simpler Places

    My upcoming novel, An Irish Miracle, spans over a half a century and two countries. With all the strife in the real world today, the stories in it offer a respite, a brief glimpse of simpler times and simpler places.

    Born in 1945, life for twin boys on an Ohio family farm is filled with hard work. The growing seasons mean plowing, planting and worrying about the rain. Only after the day’s work is there time for pick-up games, pony rides, and swimming. When the harvest season begins, daylight is reserved for bringing in the crops and baling the neighbor’s hay for spending money. The first day of a new school year means the ground will soon be frozen solid.

    Their close-knit family is happy and secure, but with one ill-fated decision by their father, an old-school farmer and a war veteran, life for the boys begins to change. When the first Irish-Catholic president is assassinated, life for the whole family changes. After the arrival of two draft notices, the twin brothers set out on separate paths for the first time in their lives, one to the jungles of Vietnam and one to the quiet countryside of western Ireland.

    Were they really simpler times and simpler places? I think so, but perhaps you should decide for yourself.

  • Story Ideas – What’s the Catch?

    One of the most common questions asked of authors is “Where do you get the ideas for your stories?” If someone would ask me that question, I might risk getting their eyes rolled at me and answer “from my thoughts” or even more briefly “everywhere” . . . but there are a couple of tricks involved.

    The first trick is recognizing the thoughts that might make good story ideas. Much like a photographer or a painter that sees what appears to be an everyday scene and recognizes the potential for a beautiful or powerful picture, when I have thoughts (and that’s nearly all the time), I almost subconsciously run them through a “Would that make a good story idea?” filter. The idea for the novel I’m currently working on came from a dream I had a few days after my son moved across the country for the first time. Stories in the news often get caught in that filter. Would a vigilante that got away with abusing animal abusers escalate his behavior? Random thoughts in unlikely situations can get caught in the filter, too. Out for pizza one night, someone at the table across the aisle sneezed. Gross? Yes, but what if I looked around and everyone in the restaurant had started sneezing . . . and then falling out of their booths? Would I run out of the place or start taking notes for the opening of a horror story? Okay, so perhaps a little wild imagination is part of the first trick.

    After recognizing a thought that might make a good story, and maybe embellishing it a bit, the second trick is capturing it before it gets away. With a mind like a steel sieve these days, leaving that task to memory isn’t such a good idea. That’s where the catch comes in. Pictured above is my fake-leather bound writing journal. It’s my story idea catch. I try to write down those thoughts that I recognize as potential story ideas in it. Sometimes I jot just a word or two or write several paragraphs. The central idea for my current novel is in there, recorded five years ago. But I don’t always have this fancy journal with me. I jot ideas down on whatever is handy . . . a spiral-bound notebook, a paper napkin (cloth if it’s a really good idea), the notes function on my phone, whatever is at hand. That journal has all kinds of random stuff taped into it. Neatness doesn’t count. What matters is to get all those good story idea in writing before they break their tenuous bonds and escape down Fading Memory Lane.