Taking Feedback (Gracefully)

Photo Credit: Soggydan on Flickr

I didn’t do a very good job taking feedback from my “alpha” beta reader* on the first draft of my first novel, An Irish Miracle. One could say my initial responses were a bit defensive, as most of them started with “Well, I did that because . . .” It soon became obvious taking that approach would eliminate the possibility of future feedback from any beta reader, and I desperately needed all the feedback I could get. I was setting out on the path from engineer to author quite alone.

It took me several tries, but with some very helpful coaching, I started to catch on. My responses to feedback began sounding more like “That’s really interesting. Would you please tell me more about what you mean . . .” For the second draft, my circle of beta readers expanded to two. From that feedback, I learned the term “in media res” and rearranged the timeline of the entire story, which was a big improvement.

For the third and fourth drafts, my circle of beta readers continued to expand and I worked at my new skill of taking feedback gracefully. I got volumes of excellent critical feedback that helped me to polish my novel. I also made some observations about taking feedback on my writing:

  • The most critical feedback, often the most difficult to hear or to read, was absolutely the most helpful. What doesn’t kill you makes you stronger, I guess.
  • The feedback varied considerably, depending on how beta readers experienced the story through their own filters and life experiences, giving some insight into how a broader audience might react to the story and to the characters.
  • It was ultimately up to me, as the author, to decide how to treat each item of feedback I received. Whatever the decision, always gracefully and with sincere appreciation for the gifts of time, thought and effort the feedback represented.
  • It paid dividends to seek out beta readers who were a lot smarter than me.

*A beta reader reads a written work with an eye to improving story, characters, and general style before the work is published. Of course, my “alpha” beta reader is my lovely wife Linda, who is an avid reader in her own right and who is a lot smarter than me!

Hello, World

Readers and writers, welcome to Rob Mahan Books! I’m Rob and I’m an emerging author. Perhaps you are, too. Or maybe you’re a reader who loves to discover first-time authors or a reader who just loves a good book. In any case, we need to talk.

After almost two years of work, my first novel is in its fourth draft and close to its final form. On this blog, I plan to share thoughts and experiences from the path I have taken to get from a “blank sheet of paper” to 100,000+ words. I have no formal training in writing fiction, but I have always been a reader and books have always been a part of my life, thanks to my mother. (You’ll recognize her as Helen, a young girl in my short story The Dictionary.)

Topics for future posts will include where my ideas have come from so far, how I set out to write one kind of novel and ended up writing something entirely different, resources I’ve discovered along the way, some basic mechanics of writing I’ve learned, taking feedback gracefully, and the decision process I’m struggling with now—to go the traditional agent-publisher route or to self-publish.

And, of course, I’ll tell you a lot more about my first novel, An Irish Miracle.

Thanks for being out there!